ISSN 2394-5125
 

Review Article 


TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART

Naily Nur Kholidah, Sahid Teguh Widodo,Kundharu Saddhono.

Abstract
This article focuses on describing the role of humor in Ludruk as educated performance which is containing social protest to state of society and generating the spirit of the nation's struggle. Ludruk is traditional theater performance that be able to exist in globalization era right now. Humor as the main characteristic of performance art is used as means to reveal social critic. In community of East Java, humor is humor is an expression of a long-depressed condition. Humor in Ludruk performance is a protest and resistance in colonial era as well as a medium to connect the past and the present. The data source used in this study is the humor of the monologue in the form of poem which is sung in traditional ludruk performances, it is usually called by kidungan jula juli. This study used qualitative approach to analyze data by exploration, although it can be gotten the understanding about the form and role of ludruk humor as educated entertainment containing social protest. The scientific novelty of this work lies on the study used to analyze the role of humor in traditional performances as part of a conditional reflection in a nation during the colonial period.

Key words: protest culture, traditional stage humor, Ludruk, History of nation, social criticism


 
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How to Cite this Article
Pubmed Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. JCR. 2020; 7(7): 1-5. doi:10.31838/jcr.07.07.01


Web Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. http://www.jcreview.com/?mno=105472 [Access: April 10, 2021]. doi:10.31838/jcr.07.07.01


AMA (American Medical Association) Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. JCR. 2020; 7(7): 1-5. doi:10.31838/jcr.07.07.01



Vancouver/ICMJE Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. JCR. (2020), [cited April 10, 2021]; 7(7): 1-5. doi:10.31838/jcr.07.07.01



Harvard Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono (2020) TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. JCR, 7 (7), 1-5. doi:10.31838/jcr.07.07.01



Turabian Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. 2020. TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. Journal of Critical Reviews, 7 (7), 1-5. doi:10.31838/jcr.07.07.01



Chicago Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. "TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART." Journal of Critical Reviews 7 (2020), 1-5. doi:10.31838/jcr.07.07.01



MLA (The Modern Language Association) Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono. "TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART." Journal of Critical Reviews 7.7 (2020), 1-5. Print. doi:10.31838/jcr.07.07.01



APA (American Psychological Association) Style

Naily Nur Kholidah, Sahid Teguh Widodo ,Kundharu Saddhono (2020) TRADITIONAL STAGE AS A MEDIUM OF SOCIAL CRITICISM: THE ROLE OF HUMOR IN LUDRUK PERFORMANCE ART. Journal of Critical Reviews, 7 (7), 1-5. doi:10.31838/jcr.07.07.01